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Posted by: James 6/12/2007 10:10 AM

I waited a day in case there were people who didn’t see it Sunday night but I thought the final Sopranos episode was fantastic and a fitting end to a classic show.  Listening to radio on Monday was so predictable with people unhappy with the ending.  For those unsatisfied people I have this to say – have you not learned from the previous five seasons that David Chase does NOT provide closure for a lot of story arcs?  There was never resolution to Dr. Melfi’s rape, we never found out what happened to the Russian in the Pine Barrens episode, and now we simply don’t know if Tony survived or not.  If you haven’t figured out by now that certain plots don’t have resolution in the Sopranos, then you absolutely would have hated the last episode.

 

BIG DEAL.  I thought the ending was brilliant.  With every time that diner door’s bell dinged when it opened, the heightened awareness of everyone walking in the restaurant had me on the edge of my couch.  I know it’s only a TV show but this was the first time I felt really anxious as to what the hell was going to happen.  Were those two guys there to kill Tony?  Would the family witness Tony being killed?  Would Meadow be spared the gore because she couldn’t parallel park?  Or were those guys simply red herrings?  To have the final scene end with Meadow entering the diner, the door bell dings, and…INSTANT BLACK.  No music.  No dialogue.  Nothing.  At first I thought I had lost cable reception and then the credits start rolling, also with no sound.  It was an ending I didn’t expect and I absolutely loved it.

 

We simply will never know and I love the fact that it didn’t tidy up.  I think part of David Chase didn’t want Tony to die and the other part I’m convinced is a giant “Fuck You” by him to the crowd that had enormous expectations for the show and were never satisfied that it simply was one of the best TV shows ever created.  Oddly enough, the final episode did wrap up a lot of plot points, from A.J. finally getting off his ass and getting a job to Meadow deciding to go into law to Junior having a moment of clarity when Tony reminds him that he used to run New Jersey to Janice being taken care of financially.  Plus, if seeing guys whacked was your thing, the second to last episode should have filled that urge.

 

Phil Leotardo not dying would have been the only plot point that would have disappointed me had it not happened.  I’ve mentioned “quality kills” in previous posts for TV episodes and even though Phil was dead from the gunshot wounds to his head, the running over and subsequent crushing of his skull was a fitting end to someone who had become a complete wanker.

 

There aren’t many “must see” shows that you have to see the night it airs but the Sopranos was one of them.  Yes, the storylines got kind of muddled in Seasons 3 and 4 (Tony’s weird dreams on the boardwalk) but the past few seasons have been nothing short of spectacular.

 

With Deadwood not coming back and Big Love underwhelming me, I sure hope HBO has another classic drama in the making.  I’ll give John From Cincinnati a chance simply because David Milch created it and he’s the one who also created Deadwood.

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Re: The Sopranos final episode    By Muuurph on 6/12/2007 12:59 PM
Apparently I'm the only person in the country who doesn' t have HBO and thus doesn't watch The Sopranos. However I came across this on another board where people use to talk hockey and I thought I'd help out all the Soprano junkies going through withdrawal:

David Chase speaks!
By Alan Sepinwall of the Newark Star-Ledger in his “Sopranos” blog June 11, 2007

What do you do when your TV world ends? You go to dinner, then keep quiet. Sunday night, "Sopranos" creator David Chase took his wife out for dinner in France, where he's fled to avoid "all the Monday morning quarterbacking" about the show's finale. After this exclusive interview, agreed to well before the season began, he intends to go into radio silence, letting the work -- especially the controversial final scene -- speak for itself.

"I have no interest in explaining, defending, reinterpreting, or adding to what is there," he says of the final scene.

"No one was trying to be audacious, honest to god," he adds. "We did what we thought we had to do. No one was trying to blow people's minds, or thinking, 'Wow, this'll (tick) them off.' People get the impression that you're trying to (mess) with them and it's not true. You're trying to entertain them."

In that scene, mob boss Tony Soprano waited at a Bloomfield ice cream parlor for his family to arrive, one by one. What was a seemingly benign family outing was shot and cut as the preamble to a tragedy, with Tony suspiciously eyeing one patron after another, the camera dwelling a little too long on Meadow's parallel parking and a man in a Members Only jacket's walk to the men's room. Just as the tension had been ratched up to unbearable levels, the series cut to black in mid-scene (and mid song) with no resolution.

"Anybody who wants to watch it, it's all there," says Chase, 61, who based the series in general (and Tony's relationship with mother Livia specifically) on his North Caldwell childhood.

Some fans have already assumed that the ambiguous ending was Chase setting up the oft-rumored "Sopranos" movie, but that doesn't seem to be in the cards.

"I don't think about (a movie) much," he says. "I never say never. An idea could pop into my head where I would go, 'Wow, that would make a great movie,' but I doubt it.

"I'm not being coy," he adds. "If something appeared that really made a good 'Sopranos' movie and you could invest in it and everybody else wanted to do it, I would do it. But I think we've kind of said it and done it."

Another problem: over the last season, Chase killed so many key characters. He's toyed with the idea of "going back to a day in 2006 that you didn't see, but then (Tony's children) would be older than they were then and you would know that Tony doesn't get killed. It's got problems."

(Earlier in the interview, he notes that his favorite part of the show was often the characters telling stories about the good ol' days of Tony's parents. Just a guess, but if Chase ever does a movie spin-off, it'll be set in Newark in the '60s.)

Since Chase is declining to offer his interpretation of the final scene, let me present two more of my own, which came to me with a good night's sleep and a lot of helpful reader e-mails:

Theory No. 1 (and the one I prefer): Chase is using the final scene to place the viewer into Tony's mindset. This is how he sees the world: every open door, every person walking past him could be coming to kill him, or arrest him, or otherwise harm him or his family. This is his life, even though the paranoia's rarely justified. We end without knowing what Tony's looking at because he never knows what's coming next.

Theory No. 2: In the scene on the boat in "Soprano Home Movies," repeated again last week, Bobby Bacala suggests that when you get killed, you don't see it coming. Certainly, our man in the Members Only jacket could have gone to the men's room to prepare for killing Tony (shades of the first "Godfather"), and the picture and sound cut out because Tony's life just did. (Or because we, as viewers, got whacked from our life with the show.)

Meanwhile, remember that 21-month hiatus between Seasons Five and Six? That was Chase thinking up the ending. HBO chairman Chris Albrecht came to him after Season Five and suggested thinking up a conclusion to the series; Chase agreed, on the condition that he get "a long break" to decide on an ending.

Originally, that ending was supposed to occur last year, but midway through production, the number of episodes was increased, and Chase stretched out certain plot elements while saving the major climaxes for this final batch of 9.

"If this had been one season, the Vito storyline would not have been so important," he says.

Much of this final season has featured Tony bullying, killing or otherwise alienating the members of his inner circle. After all those years viewing him as "the sympathetic mob boss," were we supposed to, like his therapist Dr. Melfi, finally wake up and smell the sociopath?

"From my perspective, there's nothing different about Tony in this season than there ever was," insists Chase. "To me, that's Tony."

Chase has had an ambivalent relationship with his fans, particularly the bloodthirsty whacking crowd who seemed to tune in only for the chance to see someone's head get blown off (or run over by an SUV). So was he reluctant to fill last week's penultimate episode, "The Blue Comet," with so many vivid death scenes?

"I'm the Number One fan of gangster movies," he says. "Martin Scorsese has no greater devotee than me. Like everyone else, I get off partly on the betrayals, the retributions, the swift justice. But what you come to realize when you do a series is you could be killing straw men all day long. Those murders only have any meaning when you've invested story in them. Otherwise, you might as well watch 'Cleaver.'"

One detail about the final scene that he'll discuss, however tentatively: the selection of Journey's "Don't Stop Believin'" as the song on the jukebox.

"It didn't take much time at all to pick it, but there was a lot of conversation after the fact. I did something I'd never done before: in the location van, with the crew, I was saying, 'What do you think?' When I said, 'Don't Stop Believin',' people went, 'What? Oh my god!' I said, 'I know, I know, just give a listen,' and little by little, people started coming around."

Whether viewers will have a similar time-delayed reaction to the finale as a whole, Chase doesn't know. ("I hear some people were very angry, and others were not, which is what I expected.") He's relaxing in France, then he'll try to make movies.

"It's been the greatest career experience of my life," he says. "There's nothing more in TV that I could say or would want to say."

Here's Chase on some other points about the finale and the season:

• After all the speculation that Agent Harris might turn Tony, instead we saw that Harris had turned, passing along info on Phil's whereabouts and cheering, "We're going to win this thing!" when learning of Phil's demise.

"This is based on an actual case of an FBI agent who got a little bit too partisan and excited during the Colombo wars of the '70s," says Chase of the story of Lindley DeVecchio, who supplied Harris' line.

• Speaking of Harris, Chase had no problem with never revealing what -- if anything -- terror suspects Muhammed and Ahmed were up to.

"This, to me, feels very real," he says. "The majority of these suspects, it's very hard for anybody to know what these people are doing. I don't even think Harris might know where they are. That was sort of the point of it: who knows if they are terrorists or if they're innocent pistachio salesmen? That's the fear that we are living with now."

Also, the apocryphal story -- repeated by me, unfortunately -- that Fox, when "Sopranos" was in development there, wanted Chase to have Tony help the FBI catch terrorists, wasn't true.

"What I said was, if I had done it at Fox, Tony would have been a gangster by day and helping the FBI by night, but we weren't there long enough for anyone to make that suggestion."

• I spent the last couple of weeks wrapping my brain around a theory supplied by reader Sam Lorber (and his daughter Emily) that the nine episodes of this season were each supposed to represent one of the nine circles of Hell from Dante's "The Divine Comedy." Told of the theory, Chase laughed and said, "No."

• Since Butchie was introduced as a guy who was pushing Phil to take out Tony, why did he turn on Phil and negotiate peace with Tony?

"I think Butch was an intelligent guy, he began to see that there was no need for it, that Phil's feelings were all caught up in what was esentially a convoluted personal grudge."

• Not from Chase, but I feel the need to debunk the e-mail that's making the rounds about all the Holsten's patrons being characters from earlier in the series. The actor playing Member's Only guy had never been on the show before, Tony killed at least, one if not both of his carjackers, and there are about 17 other things wrong with this popular but incorrect theory

Re: The Sopranos final episode    By TSAC on 6/12/2007 1:41 PM
Gotta agree with you bro! Great ending! Why? Cause people will be talking about this till hell freezes over. Already with the conspiracy theories and the "meaning" theories.

Re: The Sopranos final episode    By Erich on 6/12/2007 4:26 PM
I know just about everyone who posts here - yet I don't know who TSAC (The Saints are Coming) is...

Who is this?

Re: The Sopranos final episode    By TSAC on 6/12/2007 5:29 PM
A daily reader of this blog. Obviously from?

Re: The Sopranos final episode    By Erich on 6/12/2007 6:24 PM
...New Orleans...

thanx for the 411 secret squirrel - guess you gotta lay low cuz you're in the witness protection program or something right...

everyone's a smart ass these days...what ever happened to "My name is Bob. I used to be James' lover at the Russian bath house."

I suggest tomorrow's blog be on the growing trend of anonymity on the internet and how people feel emboldened due to a sense of not being responsible for what they say over an electronic medium.

Re: The Sopranos final episode    By Erich 2 on 6/12/2007 6:46 PM
Erich is gay

Re: The Sopranos final episode    By Jason's Mom on 6/12/2007 6:46 PM
At sfgate.com, the blog of the TV critic, Tim Goodman, is clogged with people trying to find meaning in the slightest thing. The cat? Either Christopher or Adriana reincarnated, or fitted with a bug by the feds. And yes, I spent about 3 hours there today, but that doesn't prevent me from using my cloak of anonynimity to tell people to get a life...

Re: The Sopranos final episode    By TSAC on 6/12/2007 11:18 PM
Help me out here? James puts a blog out on the web....I comment on it......and I now I have to be known to all the people that comment on it too? Yes, I am responsible for what I say.

Have I offended you or someone else in some way? I'm Sorry.
Geez, Hey! Hey! Hey! my name is Erich and I call people gay which is ok because you know I am. When in fact, I don't know who you are or James for that matter.
Peace Out.

Re: The Sopranos final episode    By James on 6/13/2007 8:04 AM
TSAC, welcome. Erich's got nothing against ya. I enjoy your comments. In the interest of full disclosure, I asked him if he by chance knew who you were the other week. I think it's cool the blog is expanding beyond who I initially thought was reading it.

Cheers.

Re: The Sopranos final episode    By Erich on 6/13/2007 10:31 AM
Yes, I was trying to help James out. He didn't wanna ask a friend who they were for fear of looking stupid, so I, as James' friend (best man at wedding, known him for 17 years) did his dirty work.....guilty as charged.

Forgive me for assuming you were one of our real life smary sarcastic friends....like Milo for instance :D

Re: The Sopranos final episode    By Milo on 6/13/2007 11:44 AM
Smary? Did we mean smarmy per chance? I can take that, but the sarcastic comment is where I draw the line sir! Consider yourself on the list...., now I need to find my lipstick and edit said list. Slightly obscure moive reference here.

Re: The Sopranos final episode    By TSAC on 6/13/2007 12:55 PM
OK, it is all good my brothers! No harm, no foul! James, continue your somewhat brilliant (at times) blogging.

Re: The Sopranos final episode    By KB's on 6/13/2007 5:25 PM
All right already. The topic is Sopranos. Here is my take on it. Before it aired, there was a little message that said something like "all endings bring a new beginning". I think it would be cool if there were a spin-off of Sopranos with Agent Harris as the main character and the whole fighting terrorism thing. They could visit Tony and his crew every now and then as a side plot. Maybe wishful thinking that Sopranos is not over, but sadly enough, it is.
The black screen got me saying WTF. Wouldn't that have been funny if they put up that blue screen that most TV's do when they don't have a signal. Millions of people would be scrambling to see whats wrong.


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